live – jamesreindeer

مدينة الياسمين | tape release | coming soon

due to the unprecedented success of the digital version of my recent ‘the city of jasmine‘ live album, i had decided to set about preparing a limited edition cassette tape run of the release, to be made available on my forthcoming EU tour, as well as for order from my online store.

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hand-crafted as a limited edition of just 44 copies, each piece is recorded on to chrome tape at the highest standards and packaged in a heavy-duty black card box featuring arabesque designs and containing three mini-postcards featuring auxiliary information and further beautiful art.

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please do be sure to think about securing yourself a copy, once the release date rolls around… and, anyone who has already donated a significant amount for their copy of the digital release can expect a transmission regarding their postal address for a free copy of the tape as a ‘thank you’ for the support.

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مدينة الياسمين | live album | out now

very gladly presenting مدينة الياسمين, the city of jasmine… a collection of live studio recordings gathered together amidst of the heat of the summer of 2014, during the rehearsal sessions for the ‘destruktiva v’ festival in mulheim-an-der-ruhr on 15th august.

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assembling six songs taken from my most-recent ‘sittah sittah sab’ah’ release, from iron filings and sellotape, and the classic fbcfabric & reindeer album, along with one exclusive new interpretation; this short set seems to explode out of itself to create a truly mesmerising whole for its hypnotic duration.

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featuring all-live electronics work, utilising ableton controller technologies, analogue synthesis, outboard effects and a few other devices, these performances are able to combine in generating a staggeringly-engaging release.

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now available as a name-your-price digital download, with all monetary contributions being gratefully received and put towards securing further necessary technical apparatus in order to further continue this exploration of live sound performance.

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barbed wire garden – paris

as always with touring, i had stayed up far too late the night before departing and, upon arising at dawn, was only operating with a little less than three hours sleep as i wandered out into the mist-shrouded cold of connewitz, ready to take the straßenbahn to the hauptbahnhof in time to make my first train connexion of the day. i rode the line west to frankfurt, drifting in and out of the half-sleep, reflecting on this long journey ahead, and slowly watched the skies turn from grey to blue until, upon arriving at the hauptbahnhof in frankfurt, it had grown to become a beautiful day. i changed trains and rode the next service to paris gare de l’est, slowly drawing myself out of the half-sleep, ready to ride the metro lines to the eleventh arrondissement and rue saint-maur.

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as i emerged from the metropolitan, the first thing that struck me, along with how glad i was to be in this district again, was the wonderfully warm spring-like weather, and how it seemed like a different world to the cold grey of leipzig that morning. i paced keenly along the backstreets of the district, bustling with parisians attending to their early-evening activities, the scene unfolding myriad strands and emitting cacophonous waves as i found my weary way onto rue moret and back to l’internatinal itself, only to find both geste and isaac taking in the air outside the venue. how remarkable it was to be stood before them both again, and how it looked as if they hadn’t aged a day since we last congregated. within moments, pierre and francis appeared from across the road and the circle was complete, with hugs, smiles, warmest greetings and firm handshakes. it was on indeed.

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being the latest arrival after my long commute, my first order of business was to head downstairs to check the microphone for the performance, and how strangely wonderful it felt to step onto that stage again, the last time having been back in the fall of 2010, alongside babelfishh, james p honey, bill van cutten and mesparrow. how i could not help but reflect on that night as i checked the sound with ‘subduing demons‘ and ‘alhambra’; how so much time has passed since then, and how so very much has changed. how i had to think on how i could never have guessed that it would have taken so long for me to return to paris and how i was overwhelmed with gratitude to unexpectedly find myself in that place, communed with such close friends; about to embark on an adventure whose proportions and magnitude we could have had no comprehension of.

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the night was already marching on though, and how the first souls were already beginning to arrive, and how it was the deepest pleasure for the first order of the evening to be introduced to the perfectly enchanting miss sophie girardeau, the better half of sir geste, who would immeditely grow to be a fond face along the route of the tour, along with the equally enchanting miss charlotte gonzalez, who would brighten our parisian evening and later capture an extraordinary photograph of my performance alongside francis for posterity. we retreated below once again to take our fill of some food, to prepare the merch table and to generally gather ourselves for the performance. and how the time afforded us more opportunities to catch up on our news, to marvel at this fantastic union and to talk in keen anticipation of the upcoming stops along the long path.

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naturally, the night quickly grew to become a crazed-blur of hazy recollections amidst the din and madness of any given parisian evening at l’international. i keenly recall the arrival of many more dear friends, both those whom i have not seen in so long and those whom i had been yet to meet in person. how it was the deepest delight to see the brother roma and julien babel once again, and how it was such a real honour to finally get to meet the near-legendary magali vannier and céline du buisson; such dearly-wonderful souls, one and all, and how there were so many good people in attendance this night, some of whom i got to learn the names of, some of whom i did not, and how i constantly had to tell myself and those around me that i really had never expected that it would have taken so long to return; how i can hardly believe where the time went whilst i was away.

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still, with all the fantastic turmoil and excitement there was also a show to be played and how we all found ourselves communed in front of the stage ready for the nights’ musical selections. as we are disco doom revenge, francis began the proceedings treating us to a perfectly-brief series of compositions which could easily have continued for a long while as far as i was concerned, until he proceeded to invite me to join him on stage and how we began our very first, completely unrehearsed, performance together. we began with ‘subduing demons‘ and, within the first moments of hearing his bass perfectly complimenting the track i knew that we would be on to a succession of really great shows. we kept our set short-but-sweet and retreated offstage to a rousing round of applause and how it was a truly magical experience indeed; the first of many, as time would unfold.

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i was absolutely adamant to find myself in the front row as sworplay & pierre the motionless took to the stage and was only matched in my efforts to rap and sing along as much as possible by a super-nice, super-young guy who had also fought his way to the front row and who, after getting to chat awhile afterwards, proved to be a really decent chap indeed. almost needless to say isaac and pierre absolutely destroyed their set, running though almost every track from ‘tap water’ as well as dropping the majestic ‘no dancing‘ from zoën, as well as a sinister cover version of ‘twice the first time‘ from saul williams, just to raise levels to near-unworkable limits. i can hardly relate how much i enjoyed the show and was far too lost in the moment for it to even occur to me that i would get to witness eight more performances before the tour would be out. truly devilish details.

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geste took not a moment to mess around and appeared onstage, hooded, scowling and ready to chew through the walls with his unrelentingly-chaotic sound. the hour had grown late enough for the dancing crowds to start to emerge and how i had to retreat away from the stage for fear of getting trampled by teenage girls enthused by the electronic rhythms; not to be the last time this would happen on this tour. but how it truly was a delight to get to hear his solo live-set again, i shudder to think when the last time actually was; sometime back in london at least. i let myself fall away into the waves of bass and let the highs flitter through my mind as i continued to try to let myself believe that this night was actually happening; that this tour was actually happening.

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as always the night grew so late so fast. we were already being reduced to bidding farewell to the dear souls that had communed with us on this magical night, and were soon all cramming ourselves, the charming sophie at our side, into the tour car for the first time, driving south through the city, to gentilly, val-de-marne; to the geste safehouse and our sleeping place for the evening. we unloaded the car which gave us a chance to check out the compound; garden courtyard, rehearsal room basement, first floor balcony and charming residence. we took some measures to fix ourselves a little light sustenance, some hot beverages and the beginnings of our sleeping arrangements for the evening. it was in this hallowed moment that pierre first uttered the words ‘autoblow’, first in regard to his portable mattress and pillow, but before long, across the days, in escalating reference to myriad things that ought not be repeated in polite company. how i had almost forgotten what it is to tour with this man; the hilarity unfolding!

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slowly we drifted off to sleep at some ungodly hour, and how the morning alarms were sounding out all to quickly. i can hardly remember what time it was we awoke exactly, but how we had scarcely secured three hours or so slumber, before we were hastily making our collective way through teas, infusions, coffees, pain au chocolat and croissants, loading the car and thinking about making our way to lyon. we were reduced to bidding farewell to sophie for now, but were filled with gladness that she would be taking the train to lyon to join us for the evenings performance and, moreover, that we would have the distinct honour of getting to stay at her families apartment within the city this night, a true honour indeed. with our farewells in order we piled into the car and promptly sat motionless for ten or fifteen minutes whilst pierre wrestled to get his smartphone to charge through the cigarette adaptor; an object of paramount importance as it was due to be providing our satellite navigation for the duration. gladly the device began to behave itself and we were on the road to lyon as the morning sunlight steadily began to build across the landscapes unfolding.

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next field report : barbed wire garden – lyon

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barbed wire garden – initial facts in the case

so, as i find myself once again relaxing in the safe and calm of the connewitz safehouse, my thoughts start to turn to attempting to detail the madness and joy of the recent ‘barbed wire garden’ tour, and how it strikes me that it was such high adventure, to such a great extent, that i am scarcely able to be sure as to how to possibly manage to adequately convey the delights therein. but, try i must, and how i might well begin by taking a moment to draw together some of the initial facts in the case, in order to do begin to really do justice to this life-changing set of performances.

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i would do well to reaffirm the fact that i was very much a last-minute addition to the chaos and wonderment of this tour. i had been aware that swordplay & pierre the motionless were due to be touring the EU, and was indeed deeply involved in helping to organise their leipzig show, and how i did indeed marvel from afar their overall itinerary, with not the slightest inkling that i might be involved to the final extent which i was. needless to say, when i took the call from pierre a week or so before the first paris date, i was absolutely beside myself with delight and excitement at the chance to get involved; the horror and turmoil of it all.

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i have been fortunate enough to have been good friends with isaac [swordplay] and pierre for many a long year now, our paths first crossing in north america in the spring of 2009, and how it took only moments to become greatly fond of them, as artists, but moreover as wonderfully kind people. pierre really is one of the most amazing men alive, so incredibly kind, decent and loving, and with the most wicked sense of humour one could ever imagine, and how isaac is equally amazing, never a more considerate, understanding, honest soul there was. the two of them combined, on record, on stage, and in person; really is a union that has to be witnessed to be understood.

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still, how the prospect of this tour also brought with it the realisation that i would get to finally cross paths again with the masterful geste, another dear friend i had grown acquainted with during his time in london, through collaborating on materials various together, as well as performing at glastonbury festival together as part of the 2econd class citizen live band back in 2010. how he really is such a exceptional man too, fiercely-talented to an incredibly technical degree, but also filled with such honesty and compassion, understanding and empathy, a true gentlemen and scholar indeed.

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lastly, i keenly understood that this tour would mean at last crossing paths with the masterful francis esteves, a man who i was still only learning the importance and magnificence of. our paths had first crossed online during his re-launching of the beautiful doro dorovitch label, by way of the ‘connect the machine to the map‘ compilation, and how we had been exchanging a steady slew of communications over the long moons from then til now. i fully understood how great and opportunity it was to meet him, but how i could scarcely have anticipated the complete picture of quite how much of an affect our meeting would have, as we traveled and performed together across these nine shows.

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the tour really was absolutely outrageous in so many respects. we played nine shows in nine days, across four countries, over five thousand kilometers, averaging three hours of sleep a night and six hours of driving a day. we were five men driving into a surreal dream of sleep-deprivation, saturated with night after night of astonishingly warm souls welcoming us into their worlds and offering such kind words regarding our music. we pushed everything to the absolute edge and came out dazed, weakened, elated and filled with warmth. i will do my absolute best to detail the facts in the case, and how it shall be a strange ride indeed.

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first field report : barbed wire garden – paris

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field reports from the old world – under a wintry full moon

having taken our fill of afternoon sustenance, myself along with the entire at bona fide, benelux and odeur de violettes team reconvened at the pohoda music club to load out into the two cars that would take us on the drive south to české budějovice. the dusk was descending and the temperature dropping fast, not to mention a few spots of cold rain starting to fall. still, the gang attended to the task in record time and we soon had our two vehicles filled to capacity before we spread our number evenly between them and took to the highway heading south out of the city.

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for my own part i was still so weary-headed from the lack of sleep the night before, and the sounds of the honeycombs only served to lull me into a light sleep as the night fell and the highway wound its way down towards the old city. i awoke from my half-slumber as we entered the české budějovice city-limits, the soothing sounds of jesu now emitting from the car stereo. the night was bitterly cool as we parked our vehicle and stepped out onto the wintry streets outside the location, the full moon hanging bright above kredance and fast-moving clouds trailing quickly across its surface.

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we made our way inside and were soon greeted by the very cool tomas, our bar-man, promoter, organiser and host for the evening; and what a true gentlemen in every sense indeed. a firm handshake soon turned its attention to a freshly brewed cup of earl sitting on the bar for me as i took in the delights of the super-chilled location that is kredance. how it was a pleasure to relax for a short while as the other members of the gang dealt with their equipment, even allowing myself the chance to utilise the wifi to finalise some more of my travel plans, as well as to send word back to the leipzig safehouse that all is well.

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once we had all taken our fill of a particularly satisfying pasta dish, the stage was soon being set up, soundchecks happening and the guests starting to arrive, and what a pleasure to it was to see some familiar faces as well as getting to meet some new folks; this being my first time in the city. how much jovial conversation was had as we all slowly warmed up into the evening; a splendid constellation of people taking refuge from the cold of the wintry night together in close communion, all in the name of taking in some rather special live musical performances, of sharing the experience.

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benelux took to the stage once again without delay, and how the acoustics of the location seemed to favour them a little more this night; how yet more staggering waves of their performance cut through the monolithic sound that they were able to extract from their speaker-stacks, and how a second chance to audition their live set only served to reveal yet more details and facets of worthy note. and how it was very much the same story with at bona fide, both bands taking full advantage of the sound situation and getting to unveil the full might of their shoegaze splendor on the wholly-receptive audience.

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still, soon it was my turn to take to the stage and how i deliberately set about crafted a less frenetic and more considered performance than the night before. in plzeň, in the chaos of the pohoda, i had the chance to deliver a faster-paced, shorter, more tightly-woven set, whereas in the kredance i took my time to draw out more atmospheric spoken-word moments between the chaos and clatter of my main compositions. there seemed to be a calming still in the air, one that gave me the chance to perform at my own pace, and one that resulted in what ended up being a very-well-received and very satisfying performance indeed.

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naturally, with the performances safely-handled, it was time to spend the rest of the night propping up the bar, which we did to long and good effect. i made my way through two or three more earls whilst embroiled in conversations with a splendid gentleman by the name of petr, who would later reveal himself as my co-host for the evening, and how he being a rather-well-traveled scholar led to long talks on various cities around the world and our own personal takes therein. zuzka and the others were also very much on hand to lend their worthy remarks to our discourse, and how the whole evening wound down most enjoyably as the location slowly emptied, til we were the last ones left, tomas holding the keys.

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zuzka and the rest of the remaining gang were still keen to head on to another place, but i was very much ready to turn in for the night, and so how tomas kindly escorted me back to his place, where he soon turned in for the night, and where i set about brewing one more cup of tea and handling some small admin chores in the wonderfully warm and cosy environment of his apartment. and how it was very much a delight to find myself accompanied by his beautiful cat, who goes by the name of cuketa-courgette, and was sure to keep a curious and inquisitive eye upon me as i slowly managed to find my way back into the dreaming once more; a head full of new and wonderful experiences.

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i must have been so deeply embroiled in the dreaming, and still so weary from the previous night that i managed to find myself sleeping til almost midday, and had to arise with a start to be sure about being ready to take the necessary train from the hlavní nádraží, my schedule taking me on to kutná hora via kolín and a tight one. luckily there was enough time to briefly cross paths and offer thanks to both petr and tomas again before i made my hazy way back down onto the streets of české budějovice, the first time in the daylight, and paced earnestly in the direction of the hlavní nádraží with plenty of time to board the kolín service and begin my next leg of the adventure.

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how it was such a memorable time indeed and a wonderful first visit to this new location on my czech map, and how i would very much like to take the chance to offer such thanks to everyone involved and everyone who made it down, new friends and old. extra-special thanks of course going to tomas for helping organise such a splendid night, for petr for making it all the more pleasant, the mighty kredance for hosting such a nice evening, to the benelux and at bona fide families for yet another night of wonderful music, to the mighty george-jirka for the crystal clear sound, and all those who offered me such kind words, praise and the feeling of being so very welcome. here’s to next time indeed.

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next field report : amidst the woodland hillside still

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