. . . 6|5-6|5-6|5-6|5-6|5-6|5-6|6|7-6|5-6|5-6|5-6|5-6|5-6|5-6|6|7 . . .
bring your own annihilation . . . burial ground panhandlers . . . handing out wolf-tickets for the immaculate misconception . . . amnesia dreams in the quarantine fields . . . amnesia dreams in the quarantine fields . . . ribald-like . . . standing out . . . vague face on a platform . . . saying something ’bout: ‘hold up; (wait a second) this doesn’t make any sense… ‘ . . . old john smith road . . . garage island . . . holler at your boy . . . i ain’t even lying . . . filtered recollections trapped in the waves . . . the slow ongoing droning sounding out in the concrete maze . . . do that flagship . . . that half-mast communion . . . sing the songs and take your medication . . . get bent get dead go wrong go broke get dead get bent get dead go wrong go broke get dead go home . . . old john smith road . . . garage island . . . holler at your boy (my friend scott) . . . i ain’t even lying . . . what are you leaving behind? . . . who are you leaving behind?
. . . 6|5-6|5-6|5-6|5-6|5-6|5-6|6|7-6|5-6|5-6|5-6|5-6|5-6|5-6|6|7 . . .
6|6|7