babelfishh – anxiety lesions – out now

the brutal, unrelenting horror, ascending in mounting waves, forever, on fire. with grim despair might we announce that the new tape release from the bloodied claws of babelfishh is now upon us, entitled ‘anxiety lesions‘, featuring thirty minutes of unbroken devastation and now available via the unchurch of divergent series; the unhallowed frkse ever at the monolithic helm.
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fifteen songs of cruelty and abuse, mayhem and desolation, grind and destruction, absolutely wall-to-wall with unbridled chews of unharmonious deconsecration; the tape is a filthy sprawling mess of gut-wrenching terror and surely fits as the next salvo in the macabre canon, following on from the unspeakable desolation of ‘howl bender‘.

[soundcloud url=”https://api.soundcloud.com/tracks/132776608″ params=”color=000000&auto_play=false&hide_related=false&show_artwork=true” width=”100%” height=”166″ iframe=”true” /]

be sure to seriously think about fixing yourself a copy, as these murderous beasts shall surely disappear faster than the frantic binge of hideous weeks that took to create them. also featuring my own haggard final fingers as i sought to mince the tracks through my own appalling workshop of despair. buy now, pay forever. six six lesions.
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ستة ستة سبعة | instrumentals | out now | vi . vi . vii

in further continued celebration of my, now critically acclaimed and indeed award-winning,  ‘six six seven‘ release, might i be so bold as to present the complete, unabridged instrumentals for the entire release, available for a reasonable sum from my own bandcamp page, containing my own production efforts alongside the enigmatic j.mason of iron filings and sellotape, and featuring the trumpet of s.huber and clarinet of m.born.
how i am consistently overwhelmed and jubilant at the reception this release has received thusfar, and how it gives me great pleasure to be able to extend the experience yet further by offering these instrumental versions, also now complete with six new texts in an accompanying digital booklet. do be sure to think about fixing yourself a copy, should you so desire. you contribution to my cause would be so very gratefully received.
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ستة ستة سبعة | instrumentals | coming soon | vi . vi . vii

so, in continued celebration of my ‘six six seven’ release, might i gladly announce that i shall be making the complete ‘instrumentals’ collection available for digital download from my bandcamp site on monday 24th february.
containing the full instrumentals for all six songs, as well as a twenty-page digital booklet featuring six new field reports based on the original compositions, not to mention a few other treats; please do be sure to think about fixing yourself a download when the release date arrives.
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break through in grey room – commemorating the 100 year anniversary of the birth of william s. burroughs

so, here we find ourselves, february 5th 2014; one-hundred years to the day since the birth of one william s. burroughs, often cited as being one of the most important cultural figures of our modern, meaningless age. for my own part, he is a literary figure of such overwhelming magnitude that i find it hard to describe the world without feeling his influence. i am moved to word some lines in marking this momentous occasion and would let myself reflect a little while on his profound importance, his methods and his immense legacy of influence that permeates western culture to levels which the unadept would be entirely unaware.
while i have a very good memory for dates within my own lifetime, i allow myself to maintain a broad, general view of the overall passing of time, and was therefore not anticipating this anniversary in any particular fashion. i am always celebrating the work of burroughs, and have been doing so for more than twenty years and so, this marking of one-hundred years only serves me as a continual daily reminder of his effect on my view of the world, and indeed on my own writing itself. but how it does give pause to an ideal opportunity to be able to express a few of the facts in the case on my take of this all-powerful writer and perhaps offer some closer insight into my own relationship with his work.
still, in not anticipating this anniversary, i come to this page completely unprepared, having not already outlined some masterful concept for a critical essay, but surely i would much rather prefer to write off-the-cuff, based only on the thoughts that have come to me as i have made my way through this day so far; images drifting in, moments of keen importance in my exploration of his work, moments where i have clearly understood a way of thinking, of presenting facts, information, of viewing the world. there is nothing more real than allowing the words to fall as they will, completely free of the need to impose a structure that only restrains, rather than contains the whole.
william s. burroughs revolutionised writing for me by revealing that there need to absolutely no rules whatsoever; there is no one way to describe anything, there is no one way of going about putting words onto a page. all rules should be observed, naturally, but they are simply rules, not law, not the natural law. language comes in myriad forms, each one able to describe itself and the world around it; each one able to twist and contort itself to fit any meaning, to fit any way of conveying the sense of being in a certain space/time and exactly what it is like. there can be no certain approach to one’s own path through language, each individual extracts their own truth, their own way to describe their beliefs and feelings and any given moment in space/time.
in strict literary terms, burroughs excited me, as he revealed to me that the ‘novel’ as it stands does not need to be the beginning, middle and end of the written word. the standard novel, like the standard hollywood movie is pure escapism in the form of storytelling. it is a neatly-packaged bundle with a beginning, a middle and an end, spanning a short amount of real-time and offering a nice tidy-bow to top off the happy ending, or perhaps sombre, or even ambiguous ending, to leave us closing the book or exiting the movie theatre with whatever desired emotion was on offer in that particular outing,. this is naturally a very skilled art, to tell a story, to load it with philosophical meaning, or a candy-lining and to entertain the reader/viewer in calming distraction from their real life.
which is exactly the point. the standard novel is not real life. it does not follow the patterns of real life, it is a filtered-down version of a linear version of events that is neatly laid-out to offer enough answers and questions in an allotted amount of time to sustain interest. but, for all the craft involved, this is far too neat a package to be working with, this is far too restricting in its overall layout and structure. so rarely in a novel, in a movie, do the characters talk about anything that has ‘no relevance’ to the development of the story, never will you hear tell of a character that at one point doesn’t appear and introduce themselves. never are you offered the strange tangents that real life reveals minute by minute during the actual waking day in this modern, meaningless world.
this is what burroughs could offer, could begin to shed light on, especially in beginning his oft-mentioned cut-up experiments with brion gysin. this ability to cut in and out of the narrative with other narratives, other thoughts, other suggestions, all intertwining within themselves, cutting in and out of themselves as do the thoughts in our own minds, the language streams in our own minds as we going about the linear task of progressing through the space/time of any individual day. burroughs was cutting all the thought lines together and putting them directly onto the page, he was generating real thought and therefore a real narrative, without stooping to try to impose any narrative, into shaping anything into a neat little bundle. he was letting go, and thereby seizing the ultimate control on his writing, by letting it slip through his fingers, by not grasping the grains of sand.
the much more interesting version of any standard novel or motion picture would of course be the reactionary glimpse within the mind of any given reader/viewer. the best-seller/blockbuster begins. we are looking out across the shimmering skyline of a fashionable city and a popular song is playing over the credits; immediately the viewer is taken back to a moment in their childhood by the momentary glimpse of a certain style of truck seen from a distance crossing an intersection; they are with their father for a moment on a june afternoon, the pop songs suddenly takes them to a party they attended the winter before, a name in the credits reminds them of a friend they went to school with and hadn’t seen in years. these streams of flitting connexions would be infinitely more fascinating than the book/film about to unfold.
still, all of this is well and good, but without the power to be able to adequately control the words in this fashion, to be able to present interesting enough materials to be able to sustain such an ongoing experiment is where burroughs’ experiments turn to a consistent and unrivalled display of genius, as seen nowhere else in the western english-language literary world since his appearance on the scene. burroughs consistently and all-encompassingly dazzles and staggers with his unbridled imagination, his ability to conjour the most fantastic, absurd, beautiful, foul, mesmerising, satirical, darkly-comedic view on such a wealth of topics that one can simple do little more than be entirely overwhelmed by his incredibly masterful approach to writing.
it is this masterful approach which allows him to affect so many with his words. for all that is written of him, for all the lurid press and talk of the terribly graphic and unsavoury imagery and language in his works, it is very likely only burroughs that can create a context and work with this material in a way which transcends all the criticism directed towards this lurid side of his prose, and demonstrates how he is able to hold a mirror up to the modern world and let it wallow in the grotesque filth of its own doing, whilst still being able to generate a wry smile and a gentle nod of understanding in the midst of staggering tales of high adventure and myriad hallucinatory moments in lands both imagined and as real as our perception of them.
for my own part, i am an absolutely devoted follower of the works of william s. burroughs, and can only begin to recommend that you start some small investigations of your own, should you have yet sampled the delights of his strange vision of the world. when time permits, i am of a mind to perhaps write some further reports on the facts in the case, perhaps highlight some of my own personal favourites from his overwhelming canon. til then, let us all stop for a moment a allow ourselves to feel the gentle breeze of the interzone drifting in, relax at our desks, perhaps take a little tea and then let the words start to come, as they may…
break through in grey room
william s. burroughs – 5th february 1914 – 2nd august 1997
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field reports from the old world – under a wintry full moon

having taken our fill of afternoon sustenance, myself along with the entire at bona fide, benelux and odeur de violettes team reconvened at the pohoda music club to load out into the two cars that would take us on the drive south to české budějovice. the dusk was descending and the temperature dropping fast, not to mention a few spots of cold rain starting to fall. still, the gang attended to the task in record time and we soon had our two vehicles filled to capacity before we spread our number evenly between them and took to the highway heading south out of the city.
for my own part i was still so weary-headed from the lack of sleep the night before, and the sounds of the honeycombs only served to lull me into a light sleep as the night fell and the highway wound its way down towards the old city. i awoke from my half-slumber as we entered the české budějovice city-limits, the soothing sounds of jesu now emitting from the car stereo. the night was bitterly cool as we parked our vehicle and stepped out onto the wintry streets outside the location, the full moon hanging bright above kredance and fast-moving clouds trailing quickly across its surface.
we made our way inside and were soon greeted by the very cool tomas, our bar-man, promoter, organiser and host for the evening; and what a true gentlemen in every sense indeed. a firm handshake soon turned its attention to a freshly brewed cup of earl sitting on the bar for me as i took in the delights of the super-chilled location that is kredance. how it was a pleasure to relax for a short while as the other members of the gang dealt with their equipment, even allowing myself the chance to utilise the wifi to finalise some more of my travel plans, as well as to send word back to the leipzig safehouse that all is well.
once we had all taken our fill of a particularly satisfying pasta dish, the stage was soon being set up, soundchecks happening and the guests starting to arrive, and what a pleasure to it was to see some familiar faces as well as getting to meet some new folks; this being my first time in the city. how much jovial conversation was had as we all slowly warmed up into the evening; a splendid constellation of people taking refuge from the cold of the wintry night together in close communion, all in the name of taking in some rather special live musical performances, of sharing the experience.
benelux took to the stage once again without delay, and how the acoustics of the location seemed to favour them a little more this night; how yet more staggering waves of their performance cut through the monolithic sound that they were able to extract from their speaker-stacks, and how a second chance to audition their live set only served to reveal yet more details and facets of worthy note. and how it was very much the same story with at bona fide, both bands taking full advantage of the sound situation and getting to unveil the full might of their shoegaze splendor on the wholly-receptive audience.
still, soon it was my turn to take to the stage and how i deliberately set about crafted a less frenetic and more considered performance than the night before. in plzeň, in the chaos of the pohoda, i had the chance to deliver a faster-paced, shorter, more tightly-woven set, whereas in the kredance i took my time to draw out more atmospheric spoken-word moments between the chaos and clatter of my main compositions. there seemed to be a calming still in the air, one that gave me the chance to perform at my own pace, and one that resulted in what ended up being a very-well-received and very satisfying performance indeed.
naturally, with the performances safely-handled, it was time to spend the rest of the night propping up the bar, which we did to long and good effect. i made my way through two or three more earls whilst embroiled in conversations with a splendid gentleman by the name of petr, who would later reveal himself as my co-host for the evening, and how he being a rather-well-traveled scholar led to long talks on various cities around the world and our own personal takes therein. zuzka and the others were also very much on hand to lend their worthy remarks to our discourse, and how the whole evening wound down most enjoyably as the location slowly emptied, til we were the last ones left, tomas holding the keys.
zuzka and the rest of the remaining gang were still keen to head on to another place, but i was very much ready to turn in for the night, and so how tomas kindly escorted me back to his place, where he soon turned in for the night, and where i set about brewing one more cup of tea and handling some small admin chores in the wonderfully warm and cosy environment of his apartment. and how it was very much a delight to find myself accompanied by his beautiful cat, who goes by the name of cuketa-courgette, and was sure to keep a curious and inquisitive eye upon me as i slowly managed to find my way back into the dreaming once more; a head full of new and wonderful experiences.
i must have been so deeply embroiled in the dreaming, and still so weary from the previous night that i managed to find myself sleeping til almost midday, and had to arise with a start to be sure about being ready to take the necessary train from the hlavní nádraží, my schedule taking me on to kutná hora via kolín and a tight one. luckily there was enough time to briefly cross paths and offer thanks to both petr and tomas again before i made my hazy way back down onto the streets of české budějovice, the first time in the daylight, and paced earnestly in the direction of the hlavní nádraží with plenty of time to board the kolín service and begin my next leg of the adventure.
how it was such a memorable time indeed and a wonderful first visit to this new location on my czech map, and how i would very much like to take the chance to offer such thanks to everyone involved and everyone who made it down, new friends and old. extra-special thanks of course going to tomas for helping organise such a splendid night, for petr for making it all the more pleasant, the mighty kredance for hosting such a nice evening, to the benelux and at bona fide families for yet another night of wonderful music, to the mighty george-jirka for the crystal clear sound, and all those who offered me such kind words, praise and the feeling of being so very welcome. here’s to next time indeed.
next field report : amidst the woodland hillside still
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field reports from the old world – returning to the ancient heart of bohemia

how unusually mild winter weather it was for my latest excursion back to the wonders of the czech republic. i arose in the very early morning and made my way via straßenbahn from connewitz to the hauptbahnhof here in leipzig under gloomy grey skies threatening a few drops of rain, but the ground remained unfrozen, and the winter wind only blowing cool. i followed the trainlines a short ways northwest til the skyline of dresden loomed on the horizon, the schloss, the frauenkirche; all bathed in the muted winter half-light. til, finally the trainlines bore us in a southerly direction and into the heart of bohemia, it’s majestic captial; the city of praha.
it was early afternoon when i stepped wearily out onto the platform and made my way down to the main concourse of praha hlavní nádraží; its sights now becoming wonderfully familiar to me. i set about fixing myself some czech koruna, a fresh bottle of water and my ticket to plzeň, before stepping outside to take in the mild wintry city air from one of the benches sitting on the small strip of parkland bordering washingtonova. how weary i felt from the long journey out of sachsen, but how glad i was to find myself once again in this beautifully romantic land, filled with such treasures and wonders; always just waiting to be uncovered.

i boarded the plzeň service in the late afternoon and watched the bohemian landscapes stretch out before me as i headed west along the line, even catching glimpses of two sets of deer couples frolicking in the fallow fields together, until the sun quickly began to set and dusk began to bathe the landscapes in a swift and steadily descending darkness. but how perfectly warm and cosy the carriage was and how friendly my fellow compartment passengers were. we followed the line all the way to plzeň and disembarked at the beautifully-crafted hlavní nádraží, its architecture hinting at the marvels of this ancient city; only serving to remind me how glad i was to return.
the mighty jan sinko from the místní borci crew was poised to collect me from the station and how it was only a short walk to the location, a walk which took us passed the now demolished old theatre, an empty lot waiting to be turned into luxury apartments or a shopping mall most-likely; a tragic blow to the city center. still, how we pressed onwards and arrived at the very cool pohoda music club, slung low deep within the basements of a bigger complex of perhaps three or four bars and clubs. but, embedded deep within the confines of this safehouse the rest of the world seemed like a million miles away.

the earl grey was soon brewing, stage preparations being made, two dogs were running wildly throughout the bar and all was very much in order. after some short while things were made even more comfortable with the arrival of the wonderful at bona fide family, their benelux counterparts at the later-to-be-staggering odeur de violettes. with the whole gang assembled and the guests arriving in droves it was clearly almost time for the evenings entertainment to begin; once a little backstage sustenance had been devoured, naturally.
benelux took to the stage first and quickly revealed a well-crafted line of what could possibly be described as ‘surf-gaze’; a fine blend of elements that had me think of east bay rays‘ guitar lines for early dead kennedys, of velvet underground inspired noise-action, all being held together by a warm field of indie and shoegaze vibes which all melded to create a splendid whole. i had previously been told of their work, but how it was certainly a delight to hear it for the first time being issued at a megalithic volume within the confines of this small underground cavern.

to the best of my understanding odeur de violettes is one girl, that goes by the name of laví, who performs a very stunning line in super-heartfelt acoustic singer-songwriter material, and is very much in control of what she is doing. her first order of business was to refuse playing on the main stage through the sound system and rather performing acoustic in the relative quite of the fussball antechamber. at first just a few of us huddled together to hear her curious magic, but by the end of the set almost the whole club was squeezed into this tight room and marveling at her stunning pieces. truly magical indeed, and well worth investigating.
before too long, at bona fide were ready to take to the stage, and how it was an event i had been anticipating for some long while. zuzka, their bass-player, was my first connexion in ostrava on my first tour to the czech republic and how i have come to be very good friends with the ostrava family, but had long had to wait til there was a chance to get to see them perform their own fantastic music, and how it truly was a delight indeed. just massive, massive waves of full-noise-field-shoegaze; truly epic in every possible way, and managing to drown us in velvet’s noise work-outs as well us bathe us in shimmering dream-pop waves en route; thoroughly excellent work indeed. still, how even-luckier i was to be able to join them onstage for one song before beginning my own performance; magical times indeed.

how i must also take a moment to say how much of a pleasure it was to perform, to audition some of the songs from my new album for the first time, and to have such a warm audience listening keen in attendance. still, with the live music concluded it was time to start the serious process of drinking long into the early hours. luckily, for my part, the earl grey kept flowing and how i was treated to a host of wonderful conversations, not least of all with the enchanting miss katie elznicova; the singer, guitarist and songwriter behind the very amazing manon meurt, an upcoming plzeň dream-pop / shoegaze band who have already had the pleasure of supporting my bloody valentine for their recent praha show. our introduction came by way of the very wonderful miss vendula skalková and how the rest of the evening was spent discussing music, the arts, life and all therein; a thoroughly fascinating conversation within the chaos of the ever-maddening bar.
still, how ‘the end‘ came very literally in the form of the doors being played on the sound system. we all ferried our was out into the very early morning hours, yet how the city still seemed to be a blur of activity; late night bars with folk still spilling in and out of them, the buses and trams clattering and droning along the main-streets. slowly our number began to splinter as we began to bid each other farewell for the evening, some with plans for sleeping, some with plans for more drinking. for my own part i wandered to the quiet of our sleeping location with zuzka, to join the others that had retired previously and to get some precious sleep before the excitement of the new day dawned.

i awoke around midday, wrapped in my sleeping bag, on the floor of a kitchen in a second or third floor apartment. most of the gang were nowhere to be seen, but zuzka and a couple of other late-risers were still on the scene, and how, after a quick tea, we gathered ourselves up to head out into the afternoon, to re-commune with the others and find ourselves a little something to eat. the day was relatively mild still as we walked down towards the old square, connected with half of the rest of our team at the foot of the towering katedrála sv. bartoloměje before walking on to a nice cosy pub to meet the rest of our number and take some much needed lunch, and start to think about making our way by car to the next location.
how it had been a really wonderful, crazy, chaotic night indeed, and how i must take a moment to send so much thanks to everyone involved and everyone who made it down. so much love to the mighty jan, petr and the místní borci crew for arranging such a magical event, the whole pohoda crew for making us feel so welcome in their magical venue; standa, ráďa, and all those names i didn’t get to learn, vojta for handling the sound so well, the awesome benelux, odeur de violettes and at bona fide for the wonderful music, matěj hošek for his awesome photography, and extra-special thanks to vendula and katie for the wonderful conversations. sending all the love, and here’s to next time indeed.
next field report : under a wintry full moon
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ستة ستة سبعة | hand-crafted cd edition | out now

so, as hinted at previously, i have set about hand-crafting a cd edition of my recent ‘six six seven‘ release for touring purposes, and shall be making the discs available on the merch table at my upcoming shows; initially booked within the czech republic and the ruhrgebiet, but soon to be taking me yet further afield.
initially another limited edition of forty-four copies, but with ten of those available to order from my bandcamp page, offering those who won’t be able to make it to any of the shows and are without one of the cassette editions a chance to get involved. so, be sure to find yourself at one of the shows or think about placing yourself an order right now.
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ستة ستة سبعة | hand-crafted cd edition | coming monday

due to the unexpected popularity of my recent ‘six six seven‘ tape release via the mighty mism records, and due to the fact that i am about to begin embarking on touring in support of the release without any copies for the merch table, i have taken it upon myself to prepare a limited edition, hand-crafted cd version of the album.
currently existing in an edition of forty-four more copies, carefully constructed from highest-quality slate-grey card, featuring a unique array of images on the discs themselves and containing a few extra little treats, they are rather smart. in addition to making them available on tour, i will also make a small number available to order online, for those who shalln’t be able to attend a performance.
please expect them to be available from
this monday via my bandcamp page
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accolades 2013

slowly, as we step into this new series of twelve moons, i feel that my first order of business ought well be taking a moment to celebrate and cherish the appearance of my still recently released ‘six six seven‘ album on a goodly number of ‘end of year’ lists. how it means so very much to me to even be able to share my music at all, but for it to receive such wonderful and considered praise is a real honour.
so, here is a list of the accolades that were
bestowed as 2013 drew to a close:
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best albums of 2013 – brzowski
best releases of 2013 – bill van cutten
top ten overall hip hop albums of 2013 – indie rock mag
i would very much like to take a moment to thank all those responsible for my appearance on these lists, and would very much like to extend that thanks to everyone who has supported this release, simply by helping spread the word, offering praise and encouragement or to have secured themselves a copy, whether it be a simple download or a copy of the hand-crafted tape itself. i am so very grateful for your support, enthusiasm and continued encouragement.
so, here’s to the days, weeks and months to come;
and how much is on the horizon…
wishing you all a very happy new year,
and sending all the love
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most honourable mentions – 2013

so, might i let my final entry in this years musical reflections be dedicated to some most honourable mentions; the releases that i was forced to agonisingly remove from my final short-list of exceptional works that saw the light of day across the last twelve months.

in some cases i found the releases to be slightly flawed, or perhaps a little too patchy, when forced to be over-critical, but for the most part it was simply a case of forcing myself to strip back the final list to the absolute bare essentials. either way, the selection reads thusly.

ancient mith – and the dead shall lie there

 

always a pleasure to get to audition a new long-player from the perennially captivating ancient mith. how he is more than capable of  delivering a full albums’ worth of texts without once losing sight of the cohesive whole or growing tedious… and here’s to the next eu-tour!

david lynch – the big dream

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anything new from david lynch will always be a notable moment, since my teenage fascination with his creative world, and how intruiged i am to see him release a new album so soon since the previous outing. more confounding, infuriating, mesmerising, captivating material to be sure.

soso – not for nothing

how i have long been partial to the works of the mighty soso, and how this latest outing is immediately captivating and remains so for its short duration. i am always struck by the sheer craft that he employs with each of his releases, giving them always the necessary gravitas to enthrall.

nosunnofood – nosunnofood

edison has been one of my ‘all-time-favourite’ producers for a long time now and how any outing from his musical realm is surely guaranteed to captivate, enthrall, entertain, sooth and stimulate. a perfect excursion back into his sonic landscapes between official solo releases.

james p honey – dIv_ØØNYgHN

the young captain honey murdering his way through half-an-hour of barbed materials. for my money always more visceral and captivating when stripped-down, these songs are further proof of his magnificent artistic path over the last few years.

earl sweatshirt – doris

probably the most ‘hyped’ release on this small list and how it was a curiously-intriguing item indeed. there can be no denying his incredibly powerful voice, nor his excellent flow, and how the lyrics and, for the most part beats, were able to generate a consistent journey though his world.

prodigy & alchemist – albert einstein

 

an unexpected treat to be sure. i cannot begin to explain how much i listened to the early mobb deep records as a teenager, nor how bemused i was by their plunging descent into utter dross. so, what a delight to hear prodigy offering bar after bar of gold, over a full-albums’ worth of solid beats.

action bronson & harry fraud – saab stories

scarcely able to bring myself to allow this release art onto this blog, but i cannot deny how many times i listened to ‘alligator’ and ‘seven series triplets’ this year; only two out of the six songs on offer, but just so compelling as to carry the weight of the release onto this list.

tesk – nerves

an absolutely stunning debut release from the masterful tesk. how it probably would have been in the short-list had it not arrived so late in the year, only giving me the chance to begin to be blown away by all that lays within. a full tape of shimmering magical hues. utter bliss.

home – word

 

how little could be more welcome that a further release from the always-masterful home. how this new set of ten songs carried me forward through this year on buoyant wings, always offering a keen and clear eye on the reasons why we are indeed moving forward. truly wonderful.

so, there we have it, my humble take on the musical facts in the case of 2013. i sincerely hope that you found a few enjoyable moments within, have managed to discover some new treats for your own archives, or simply enjoyed the shared understanding of mutual tastes, and how i sincerely hope that we are all still here this time next year to celebrate once again.
in final parting, i would also like to reference a number of artists that didn’t make it onto any of these lists, simply by way of my having not had the chance to audition their works over the last twelve months. i am keenly looking forward to hearing the latest releases from the following:

jesu, boards of canada, carcass, odd nosdam, the haxan cloak, arcade fire, low, billy woods & blockhead, cathedral, burial, bill callahan, dakota, tim hecker and many more …the tale is ongoing indeed…
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